AWOL

 This little bit of the top border of Isabel Redie is the only thing I've stitched in three days.  If I don't stitch, I don't have anything to blog about on a stitching blog.

I have been in a funk. My stitching mojo just up and left.

It better get back soon--I have the Cardinal EGA meeting tonight to look forward to. And I'm leaving day after tomorrow for my old stomping grounds. The Carolina Sampler Guild is having Catherine Theron in to teach a two-day workshop for a lovely little band sampler. 

It would be most impolite for me to grumble and growl at either event.

No Way in Blankety-Blankety-Blank-Blank-Blank!

 There are some things you can do on autopilot. Loading the dishwasher, or brushing your teeth, or running the vacuum. I hate to admit it, but there were times in my working life that I drove myself to or from work without realizing how I got from Point A to Point B. (This is not safe, and I don't recommend it.)

Stitching is one thing that should never be done on autopilot.

But I did.

It was time to do the personalization at the bottom of the Eternal Flame Huswif. I charted out my name and the date, stitched them in, and started the background.

All of this is tent stitch over one thread.

I didn't notice that the date was one thread higher than the name.

I was filling in the background, working the tent stitch diagonally, and was halfway through the background on my name when I realized that there were suddenly four threads above the capital letters when I had had three above the numbers.

Well, phooey.

Please note that is not what I actually said.

I went for a walk. On that walk, I decided that perfection is vastly overrated and that it can't be seen from the back of a galloping horse and that there is no way in Perdition (not the word I used) I was going to rip out that much tent stitch over one.

But I will be more mindful of my stitching in the future.

Something from the Stash

 Yesterday was a wash-out as far as actually threading up a needle and stitching was concerned.

It was the first day of another online class, this time a deep dive into whitework. We have a choice of working the whole sampler on a slate frame or working each term on a hoop. I've been working on hoops for the previous classes and decided to use a slate frame for this one.

And I found a slate frame. Only the roller bars were too short, so the linen wouldn't fit. So, OK, I've done the rest on hoops, I can do this one as well.

Only I haven't unpacked the 8" hoops. No idea which box they're in.

Even if I had had the hoop or frame, I couldn't have transferred the design. My water soluble marker, which I may have used once in the last twenty years, had dried up.

So I listened and made notes, and will continue to unpack, and now have an excuse to go to Joann's or Michael's for a water-soluble marker.

Then I realized I needed to find a Scarlet Letter design to work on for Saturday's Western Reserve Sampler Guild meeting. At the moment, I can only think of two that might be hiding in my UFOs or WIPs, and neither has reached the light of day.

But I did know where I had some kits, and Isabel Redie is coming out to play.

She's a big girl,  16 1/2" x 21 1/2" on 40 count. And she is started. I inherited her from a dear friend who died 20 years ago after a sudden illness. Roxie had basted the upper margin and begun the twining vine for the border. I think Isabel is going to be fun to stitch--she has a couple of bands that look like the 17th century band samplers I love, and all kinds of motifs.

And not a lot of letters.

I will have to build a house, though. At least it's not a big house.

The Final Flame

 I was going to continue setting up my stash room today. I shoved boxes around and sorted threads until my back announced that I really needed to sit down and stitch for the rest of the day.

So I did.

And I got the final flame on the Eternal Flame Huswif stitched.

I need to chart out my name and stitch in the personalization at the bottom of this panel. As soon as I get that done, I can take this off the scroll frame so it will be free for a Catherine Theron class I'm taking next week.

I did find a slate frame that I can use for my Deep Dive Whitework class that starts tomorrow. In the morning, I plan to set that up so I'll be ready to go. Now if I can just find the lacing thread . . .

Third Time's the Charm

 Finally, finally, I was able to get the black silk framework for the final flame stitched!!! There was no ripping, no fussing or cussing--just head down and got 'er done.

And to continue with a charmed day--the USPS delivered a package, all the way from California, and on a Sunday, no less:

This is the newest online class from Katie Strachan.

This greets you when you first open the box.

And here are all the goodies inside.

The class doesn't start until January, so I believe I know what one of my New Year's projects will be. 

Meanwhile, I am going to head upstairs to see if I can find a slate frame that doesn't have something attached to it. I have a whitework class starting Tuesday, and it will take me most of the day tomorrow to set up the slate frame.

Since I'm having a charmed day, it should be in the first place I look.

Zooming around

 I do not know why everyone has scheduled Zoom meetings for the third Saturday of the month, but I attended three of them today.

I really love my Carolinas Region Zooms--always something to find out, good ideas shared, loads of lovely WIP's to see--and I managed to completely assemble another pin cushion.

This was another Make-It-Take-It kit. The top is a fabric transfer based on a trading card from J.&P. Coats Thread--yep, they had trading cards for threads just like baseball cards century before last. Since I spent the last twenty-plus years of my working life with Coats & Clark, of course I had to do this.

I may have more pincushions than pins.

Then the Orange Coast Sampler Guild had a guest speaker, Teresa Venette of Kitten Stitcher/Shakespeare's Peddler fame, who talked about how cross stitch books come into being.

And, last but not least, one of EGA's specialized Zoom groups for surface embroidery. This Zoom meeting has participants from around the country. Today's discussion was quite enjoyable since many of the people in the chat had recently taken classes from Alison Cole. Alison is this year's EGA International Teacher. I love Alison's pieces but have never had the opportunity to take a class from her. Now I know what I've been missing.

Meanwhile, Dearly Beloved has put up another shelving unit in my stash room, so I doubt that I will be stitching tomorrow. It appears that I will be unpacking more boxes.

I really wish I had a fairy godmother who would wave her magic wand and Bippety-Boppety-Boo, everything would be in its place--and that she would leave me a detailed inventory so I would know where to find it all!

Vintage?

 I finished Merry Cox's Tulip Tree Needlebook.

I mean, I really, really finished.

Not only did I stitch the design, but I put it together.

I mentioned earlier that I found this in my stash as I was unpacking some older project boxes. The date on the original model pictured on the kit was 2004. Mine is dated 2023. Does that mean it's been aging in my stash long enough to be considered vintage?

The finish happened only because I am tired. For three nights in a row, I woke up at 4 a.m. or thereabouts, stared at the ceiling for a couple of hours, and either gave up and got up, or finally dozed off to have weird dreams that did not leave me rested. I have not been energetic enough to even look at anything challenging to stitch, but this was all cross stitch or tent over one with Nun stitch worked around it. And the assembly was relatively easy so it didn't end up in one of the finishing baskets.

So I have a finish despite myself. I'd actually rather have some sleep.