Frameworks

 I started to title this one "doing the boring stuff,"  but I am trying to put a positive spin on my needlework experiences.

And, yes, I'm still frogging Carmen and not feeling particularly positive about that experience, but I'm trying to persuade myself that I will be much happier when it's done and the frogged stitches replaced.

Anyway, I got the red motifs on All That Glitters outlined. From here on out, I just have to fill. I don't have to count anything, just go on autopilot.

And I decided that maybe I needed to get a little more of the border done on Sarah Ann Purdy:

I'd like to get the next two motifs on the left side of the sampler stitched, then move over to the right side and catch that side up to the left.

I really wish my lousy photography showed just how gorgeous Sarah Ann is looking! One reason I like working on 40 count linen with overdyed threads is that I get a very delicate look, but the colors are saturated and vibrant. I don't like seeing the "legs" of my crosses because I think that takes away from overall effect of the design.

And this is a small-ish sampler--it will be only slightly over 10" wide and slightly less than 10" tall when it's done--but the intensity of the colors will make it stand out.

I have the opportunity to participate in two stitch-ins tonight, so maybe this will be a good day to get some things accomplished.

Another Good Mail Day

 I have absolutely got to stop cruising the innerwebs late at night.

It was another good mail day:

On the left, the kit for a class I'm taking through the Royal School of Needlework at the end of the summer. Yes, I have already opened the box. Yes, I have already reviewed the directions. Yes, I think I could stitch it without the class, but Kate Barlow always has a tip or technique that elevates your skill level, so I will wait.

I am a little concerned, though, since I have another class set to start next week, also from the RSN--and that kit hasn't been mailed yet, nor do I have a materials list. I am wondering if the wrong kit was sent before its scheduled time and the other hasn't been shipped--so I wrote to ask.

And then the Strawberry Sampler from Liz Matthews. I was absolutely NOT going to buy any more schoolgirl sampler charts (other than Country Sampler's Threads in History kits) this year. I was not. I solemnly swore to myself I have enough to keep me busy.

But this one has all the things that I like, like motifs rather than alphabets. And no big honkin' house.

I succumbed.

And, I am not surprised I succumbed.

Neither is anyone else.

A Tisket, a Tasket

 Three pretty little baskets!

I'm still in the midst of trying to bring order into chaos on my worktable, and I think I'm making a bigger mess than I had when I started.

I had to stop for a little and actually stitch something to maintain my sanity, so Sarah Ann Purdy wound up on the frame stand--and I have three little baskets in the center of the sampler.

I wish the picture showed how vivid the red and white are against the linen--they glow!

Back to arranging--I do get a break this afternoon when we have one of our EGA region stitch-ins, and I think that All That Glitters is going to get some love then.

On to the Next

The next motif on Spot is outlined and ready to be stitched.

 It's a little like coloring in a coloring book, once you get the outlines set, just with needle and thread instead of crayons.  Now I wonder when graph paper was invented.

Does this look like it might become an iris?

Anyway, this may be the only stitching that gets done today. I have domestic duties to attend to, and my worktable to organize since it has parts of four different projects strewn across it, meaning I can't do anything with any of them until order is restored in the kingdom.

That's one thing I have apparently lost since I retired. I used to be a paragon of organization. My desk was a marvel of efficiency and I was on top of all my work obligations at all times.

Now I flit from one thing to another, but I've decided that it's past time to give up on trying to schedule my stitching and just enjoy the journey.

My two cents for Monday the Thirteenth!

Whew!

 I finally got all the highlighting and missing stitches worked into the third motif on the Spot Sampler.

This is the point at which my eyes said they had had enough and weren't stitching any longer. So, after a week, I talked them into getting this done. And done it is. I think that, so far, this flower had the most aggravating shading. I know it doesn't look like it, but it was the most aggravating for me.

There is one more flower for this row and the top of the sampler will be stitched.

For some reason, it feels as if I can get the top two rows done, the rest of the sampler will be easier. 

Obviously, I am deluded, since the more complicated techniques start after the top two rows. Maybe I'm just tired of tent stitch over one.

That makes more sense.

Potted Plants

I thought I was going to get a lot stitched today. After all, I had two lectures on needlework to listen to as I stitched, and that usually means a lot gets done.

Nope, the lectures were fascinating and the photos of the work were engrossing, and I just put down my needle and made no attempt to stitch. The first was with Theresa Baird, who designs the samplers for the original 13 colonies--she just published the one for North Carolina and it is nothing short of amazing. It was interesting to hear about the inspirations for each sampler she's done so far and how she got started in designing.

The second was offered through EGA's lecture series and featured Isabella Rossner, who talked about needlework in times of crisis and chaos. The lecture covered a thousand years of history, starting with the 1066 Norman invasion of England and ending with Covid, including stories about the English revolution and the Great Plague as well as the sorrowful situations arising from incarceration.

So I got my intellectual stimulation for the week, which I decided I really needed after trying to remember if I had applied shampoo once or twice while showering.  Have you ever noticed that some things are so automatic that you don't quite notice whether you did them or not? Or am I showing my age and decrepitude?

I finally got a couple of pots stitched on Sarah Ann Purdy:

I used to be a stitch-the-whole-border-first sampler maker--you know, eat your veggies and then you can have dessert. However, I finally figured out that it was less boring and more interesting to work sections of the border while I was doing the insides. That way I could check the placement of both border and interior against each other. And hopefully have less frogging to do.

And, yes, I'm still frogging Carmen. I will be frogging Carmen until the next millennium.

Meanwhile, in other news, I realized that today is the 15th anniversary of Stitching Foolishness. I never planned to be blogging for 15 years but here we are.

And I plan to continue blithering on.

and now for something completely different . . .

Stitching a sweet little strawberry border can be very soothing.

 Sarah Ann Purdy 1844

The Scarlett House

Country Sampler's Threads of History Club project