I've been puttering around the last few days, trying to decide what I want to work on next.
So, I put a few strands into the background of Eve in the Garden.
What I had already stitched has already tarnished, so it's very easy to see what I added. I'm not worried about the differences in shading. I had done the other areas at different times, and they have all turned the same shade, so I don't think there will be a great difference when this is finally completed.
In puttering around, I found the kit for this year's Catherine Theron project for guilds.
This may go on scroll bars today.
And then, night before last, I decided to put a few stitches into the background of this ornament, which has been sitting on the stand since the first of the year:
So, I moved that stand in front of the wing chair and started filling in the background. This is the second of David McCaskill's 12 Days of a Stitcher's Christmas. You may remember I had fantasies of doing the whole set this year. Those fantasies were first derailed by prework for workshops and then I decided to work on samplers and have actually finished three of them this year.
That is nothing short of amazing.
However, speaking of samplers . . .
I came home from my EGA meeting Wednesday night all fired up to stitch, which is usually what happens when I go to any guild meeting. I had some time before I needed to go to bed, so I pulled Rebekah French out and worked on the next letter in the eyelet alphabet.
And I had miscounted the number of threads between letters.
And the "H" was going to run into the "G."
So I had to pull out what I had done--and since I tend to pull eyelets tightly, try to smooth the displaced linen threads back into place.
I believe Rebekah is going to wait awhile longer to be completed.
Oh no! I'd think the only thing worse than stitching lots of eyelets would be frogging them!
ReplyDeleteThe Catherine Theron project looks delightful. Am guessing she designed it as a companion piece to No Place Like Home since it has a similar feel...?